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Queenie Jenkins can't cut a break. Well, apart from one from her long term boyfriend, Tom. That's definitely just a break though. Definitely not a break up. Stuck between a boss who doesn't seem to see her, a family who don't seem to listen (if it's not Jesus or water rates, they're not interested), and trying to fit in two worlds that don't really understand her, it's no wonder she's struggling. She was named to be queen of everything. So why is she finding it so hard to rule her own life?

From acclaimed author V.S. Alexander comes an absorbing, immersive novel set during World War I, as a talented and ambitious artist finds an unusual calling.

May 1917: The elegant streets of Boston are thousands of miles away from the carnage of the Western Front. Yet even here, amid the clatter of horse-drawn carriages and automobiles, it is impossible to ignore the war raging across Europe. Emma Lewis Swan's husband, Tom, has gone to France, eager to do his duty as a surgeon. Emma, a sculptress, has stayed behind, pursuing her art despite being dismissed by male critics. On the bustling sidewalk she spies a returned soldier. His brutally scarred face inspires first pity, and then something more--a determination to use her skill to make masks for disfigured soldiers.

Leaving Boston for France also means leaving behind Linton Bower, a fiery, gifted artist determined to win her. Emma's union with Tom has been steady yet passionless, marred by guilt over a choice she made long ago. In Paris, she crafts intricate, lifelike masks to restore these wounded men to the world. But in the course of her new career she will encounter one man who compels her to confront the secret she's never revealed, not even to Tom. Only by casting off the façade she has worn for so long can she pursue a path through heartbreak and turmoil toward her own unexpected future...

Three Ordinary Girls by award-winning historian Tim Brady is the astonishing true story of three fearless teenage resisters during WWII whose youth and innocence belied their extraordinary daring in the Nazi-occupied Netherlands.

We Begin at the End is an extraordinary novel about two kinds of families: the ones we are born into and the ones we create.

Based on a true story, At the Wolf’s Table centers around twenty-six-year-old Rosa Sauer who is conscripted, along with nine other women, to become one of Hitler’s tasters. Resentment and secrets begin to grow as a divide is formed within the group of women: on one side, those who are loyal to Hitler and on the other, those who insist they’re not, even as they risk their lives for him. Soon, everyone begins to wonder if they’re on the wrong side of history.